I've never played anything but 1920's Call of Cthulhu, and have never been to keen on the idea on modern-day CoC. But I must admit, the Delta Green campaign setting is really impressive. After having taken a look at it and purchasing it, I would recommend it to anyone who is looking for a change of pace in their CoC game. The best comparison I can think of is this: If CoC 1920's is the movie "Alien," Delta Green is the movie "Aliens." Both are cool, both have the same creatures as the adversaries, but they both have different moods and different types of protagonists. The background info in this book is so realistic, if I were a bit more mentally unbalanced :), I could easily believe every bit of it as gospel truth, not just a game setting.

If Lovecraft was alive today this sourcebook would make him green with envy! This takes the Call of Cthulhu game to the contemporary level. There's more than enough plots and characters to juice up a modern (postmodern?) Call of Cthulhu game. I especially like how the creators have made so many versatile options. You can make this supplement as intricate or as simple as you want. I definitely recommend this as a sourcebook to all Call of Cthulhu role playing fans.

Many have commented that DELTA GREEN is where X-Files meets the Cthulhu Mythos. They are correct, but it goes beyond that. Delta Green presents a satisfying and believable context for mythos roleplaying in the modern era. This supplement for CALL OF CTHULHU, a game which has a history of great supplements, raises the standard by which future works will be measured. This is quite possibly the best role-playing supplement ever. I have been into RPGs for nearly 20 years now, and I have seen most of what is out there. Believe me, it does not get better than this.

This is an excellent book for those of us who have extensive experience with previous Windows releases, and need information dealing with just what's new and improved in Windows Server 2003. This book is well-written, well-organized, easy to read, and gives you everything you need, and nothing you don't.

I highly recommend this book to all experienced Windows Server administrators who need just the new info and just the facts, from authors who actually know what they're talking about.

This book gives me exactly what I needed. A clear, concise guide to the new features in Windows Server 2003 without crowding the book with things I already know about Windows Server. Its a fast, inexpensive way to come up to speed on the server. What a God send!

The Delta Guide really "cuts to the chase" when it comes to uncovering the new features offered by Windows Server 2003. The book is accurate, easy to understand, and concise. If you're already a pro on Windows 2000, this book can really help you get up to speed on Windows Server 2003. If you're even thinking about deploying Microsoft's new server OS, you should add this book to your library.

It has been said that the Mississippi Delta begins in the lobby of the Peabody Hotel in Memphis. This evokes a hearty laugh or two. But Maude Schuyler Clay's Delta, this land of her black and white photograph collection, bears little humor at all.

Clay, the contributing photographer for The Oxford American (the nearly defunct glossy southern literary magazine) is a Sumner County, Mississippi, native. Back to the Delta to live and work after a decade in New York City, Clay combines landscapes, or the Delta flatscape, with the stark loneliness of the occasional roadside dog. Few humans don the pages of Delta Land.

Mississippi writer Lewis Nordan, a Delta native himself, writes a provocative and interpretive introduction to the book, one that is witty and piercing in its critical and story-like style.

The book's sepia-toned landscapes show the one constant in a region dominated for millennia by the mighty Mississippi River. That constant is erosion. Many of the photos recall decay and loss. Such is the depiction of the Tallahatchie Bridge of Billy Joe McAllister's jump to the depths below.

This coffee table book, a collection of minimalist and postmodern art, promises to deliver a true, honest, dispassionate and yet emphatic view of the Delta for all who read its words and view its pictorial depictions. The book, not far removed from the documentary eye of Walker Evans, is about memory and the hard, melancholic road that memory often takes us. I recommend it for all who love or long for the land it memorializes.

---------Reviewed by Dayne Sherman

Currenting residing in Germany (and England before that), I often think about the Mississippi in which I grew up with mixed emotions. Maude Schuyler Clay's stunning photographs, with their dark aesthetic, render visible some of the emotional landscapes and scenes that I visit occasionally in my dreams (which border on the nightmarish). Her photographs are, in my opinion, meditations on loss, on some truth of the past that slips irrevocably beyond grasp at the moment of its apperception. The artist shows us ash-covered, post-nuclear landscapes whose projection of annihilation is terrifyingly beautiful and profound. As Lewis Nordan's wonderfully written introduction points out, there are no pictures of cotton pickers in this collection of Mississippi images. The subject of these photos is far more interior and complex, inspiring reflection on the passage of time, memory, death, guilt, and the fragility of the human condition.

As a child of this place called the Delta, this was my world. This was home. Ms. Clay has captured it as it was in my childhood - and as it, to some extent, continues to be. The scenes she portrayed were classics. I may not have seen a particular church or bayou, but I have undoubtedly seen its twin. The black-and-white photographs add a timelessness that color could not. These photographs could have been made in the 50's as easily as the 90's. Much remains the same in the Delta today. Delta Land is a must for all who call this place home. Thanks, Ms. Clay. This book is what I was looking for - even though I didn't realize it until I first turned its pages.

A lot of practice. There are ten tests on CD Rom. Tests are very close to the real exam.In terms of practice it is the best book on the market. Be careful, do not forget to buy book with cassets and CD Rom. CD Rom has the tests all in the same computer format as the real test. Cassets have listening material for Listening Comprehansion part of the book. So you will need both CD Rom and cassets.
However, essay section in Cambridge Preparation for Toefl Test is certainly better.
In addition, for grammar section you may wish to buy Cliff's Toefl. Cliff's Toefl has better grammar review especially for those who are afraid of grammar in the test. After Cliff's Toefl you will more confident not only in Toefl grammar but also in English grammar as a whole. Cliff's Toefl also has 6 full lenght practice tests.
Therefore, if you want to save money just buy only CD Rom of Delat without book and cassetts for practicing and buy Cliff's Toefl for Grammar and Essay sections.

If you have enought time (at least 8 weeks), the book provides complete practice for preparing. Remind you to buy the cassettes. CD-ROM doesn't include the listening practice of the book. The ten tests in CD-ROM are truly helpful.

This book is really a key for the TOEFL test.It's easy to understand and has lots of examples on each subject.But if you buy the Book and Cd-Rom Edition, do not forget to buy the audio cassette edition with it.Because you'll need them for the listening parts.
I think it must be tried.
Thanks...

Fans of blues music and musicians will relish this autobiography of Delta bluesman Edwards, which charts his rise to fame and his survival in a critical musical world. His first-person observations of the changing blues style and field are especially meaningful given that so many blues titles are not written by participants in the field.

Honey and his astute collaborators have given us the genuine article: a poignant, detailed, uproarous chronicle of what Robert Palmer called the"Deep Blues," the Delta tradition from which all other blues styles emanate. If you've heard Honey sing either in person or on his fine recordings, you will hear the voice you read. He offers dozens of unforgettable moments, from the first sounds he ushers from a broken-necked guitar to his mother's death to the death of Robert Johnson, that are alive and chilling. My only criticism is that the photographs featured in the book are spartan, contemporary views of critical sites in this artist's life. More historical photography would have enhanced the text. The publisher of this well-designed softcover has made the text relaxingly readable. After my first 50 pages, I wanted to purchase all of Honey's recordings and read more about him. He is an articulate, funny, precise chronicler of his own life. If only I could do the same with my own life! First rate.

This autobiography succeeds memorably on several levels. Told in spare, moving words, it provides a vivid picture of life in the Mississippi Delta long before the civil rights movements of the '50s. In addition, it's a kind of African-American "On the Road," told from the perspective of one who crisscrossed the Southern United States, scuffling to make a living playing the blues. And finally, it's a terrific history of the blues, told by a man who made a significant musical contribution himself and who played with nearly all the essential artists of the '30s and on.

Edwards, born in the Delta around 1915, worked the fields as a kid before he learned to play the guitar and began hoboing around the South. He rode the rails, played in innumerable small towns, and polished his craft. Along the way, he hung out and played with the likes of Sunnyland Slim, Big Walter Horton, Little Walter Jacobs, Robert Junior Lockwood, Muddy Waters, B.B. King and yes, Robert Johnson. The book describes how these architects of the modern blues passed songs, licks, and stories back and forth, keeping a form that relies so heavily on tradition dynamic and vital.

A major strength of the book is Edwards' distinctive voice, transcribed by his collaborators to retain its distinctive rhythms and dialect. The book's title sums up his attitude. His memories include violent death, physical and emotional loss, and great material want. Still, you sense strongly that he wouldn't have had his life any other way. His narrative is devoid of self-pity, but it never glosses over the difficulty of the times he endured, which included stints in prison.

The book concludes with useful appendices that define key terms and offer capsule biographies and discographies of musicians Edwards encountered. A good bibliography is also included. Highly recommended for those interested in the blues and in American social history. Great read.

Well worth the seemingly hefty price. In addition to containing source material that benefits *any* modern-day game (e.g. details on international law-enforcement agencies), it includes expansions on things alluded to in the main Delta Green book, such as the Army of the Third Eye, and new icky horrors like the Skoptsi.

There is also wonderful information on ghoul society and on the "King in Yellow"/Hastur mythos, concluding with "Night Floors," which is in my opinion one of the best damn adventures ever written.

If you already have Delta Green, Countdown should be your next purchase (if you don't have Delta Green, BUY IT!!!). Countdown adds write-ups for PISCES (Britain), GRU SV-8 (Russia), The Skoptsi, The Outlook Group, Phenomen-X, Keepers of the Faith (Ghouls), and a new look at The Hastur Mythos. Add rules for the Gift (Psychic Powers) and international templates from all over the world and you have a book that would be cheap at twice the price!!

Pagan Publishing has done it again!!!

After getting and reading the Delta Green book, I was very impressed, but left wanting more. The main DG book has a lot of detail, but it's scope is a bit limited - the main adversaries available are MJ-12, the Karotechia, the Fate, the Mi-Go, and that's about it. There is a lot of terrific, well-researched info on these four, but I wanted more options. More options is what Countdown provides. The bulk of the large book is taken up by thorough, detailed descriptions of more organizations, much like the ones in the original book. These add a wealth of additional details and possibilities to the game world. If you're going to run a DG game, you definitely want to have this book!

This is Joseph Wambaugh at his best, humorous, suspenseful, and sympathetic to his police characters while not shying away from their faults, foibles, and flaws. In one of his better mysteries, the cops of Rampart Station try to solve the connections between a Nobel Prize, a Russian submarine, a useless credit card, a dead hooker and a similarly deceased sleazy private eye.

Detective Mario Villalobos tries to solve the murder of a young hooker named "Missy Moonbeam" by day while spending his nights drowning his sorrows with a typical Wambaugh cast of police and groupie characters at Leery's Saloon. Larger than life characters such as "The Bad Czech", "Jane Wayne", Ludwig the police dog, and the "Gooned Out Vice Cop" all make appearances. The thing is Wambaugh makes you actually care about these people and their situations. It is obvious that the former policeman turned author still understands and feels a great empathy and affection for the men and women who police our "mean streets".

Villalobos is one of his better drawn characters. A burned out man who drinks too much, he still possesses some great police instincts, and he is not so far gone as some of the suicidal main characters of Wambaugh's darker novels, such THE SECRETS OF HARRY BRIGHT or THE GLITTER DOME. A mixture of serendipitous luck and good police work lead to a surprising twist of a conclusion, but as with most of Wambaugh's best books, the journey and the whacky cast of characters one encounters along the way is actually more important than the destination itself.

Highly recommended. Five plus stars.

Perhaps this should be called the precinct that couldn't shoot straight. A police procedural that is spiced up with a cast of police characters that are bizarre, pathetic, crude and funny. All of them are boozers, meeting nightly at a local tavern to toss a few and exchange wild happenings of the day. Joseph Wambaugh wrote this book in 1982. It has the hip lingo of that era - a reminder of how quickly street talk becomes cliché, nevertheless a fun read. Cops on the beat, especially in L.A, always have weird but entertaining stories to tell. Besides the gritty happenings on LA streets, there are two murders to solve here. Several clever twists keep you interested throughout. A great beach book.

This is no dud, stop looking in the bookstore when you see this title and pick it up. This book moves at the same pace as a cop car running hot. It really is a good read with a lot of inventive characters and situations. There are a lot of police novels out there but this is defiantly one of the top ten percent. You will like the book from the moment you start reading.

From the Mississippi Delta is the memoir of Endesha Ida Mae Holland, Ph.D. - a well respected author, playwright, and scholar with a personal story that both enlightens and inspires. As a civil rights pioneer, Dr. Holland was instrumental in the success of organized efforts to eradicate racial discrimination from her home state of Mississippi.

From the Mississippi Delta is even more compelling because of the circumstances from which this remarkable woman came...to think that a one-time prostitute, thief, and convict could rise to become a Pulitzer Prize nominee, critcally acclaimed author, and tenured professor at the University of Southern California! The fact that Dr. Holland has survived and persevered despite having every possible obstacle placed in front of her - it should make those of us who were born to better circumstances rethink our roles in life.

I was extremely humbled by this autobiography. The sacrifices that Dr. Holland and her peers made as part of the Civil Rights Movement should never be forgotten or dismissed. After being repeatedly exposed to the murderous deeds of those who have sought to paint themselves as the brave patriots and heros of a new world order, I am grateful that there are books like From the Mississippi Delta that provide examples of those who can rightly take on the mantles of bravery, heroism, and patriotism - and bear them with the pride, dignity, and respect that they deserve.

The occasionally encountered graphic material didn't bother me, since the scenes and language in From the Mississippi Delta are non-gratuitous, accurate, and true to life; it would be a travesty to dilute them. I am horrified at the prospect of people being subjected to the conditions and abuse that are described as being part and parcel of young Ida Mae Holland's everyday existence.

In my opinion, any distasteful moments are fully recounted in the text to make sure that we don't forget our past mistakes - lest we give in to the ever-present danger of committing the same errors in the future.

A gripping and well-written account. An absolutely incredible read. Highly recommended.

Aside from being a celebration of the human spirit, Ms. Holland's Memoir offers a fresh, interesting, and unique glimpse into the early days of the Civil Rights Movement. This focus alone, I believe, renders the book meritorious.

Ms. Holland tells the civil rights story from the perspective of individuals born and raised in the muck and mire of Mississippi's lethal brand of white supremacy and racial hatred. Through her eyes, we get a close-up view of what had to be overcome; and, what was required of ordinary folk brave enough to get involved in a situation that could and DID, literally, cost them their lives and the lives of their loved ones.

These unsung heroes deserve national attention and recognition if the story of the Civil Rights Movement in the United States of America is to be told in its entirety.

But, if this isn't reason enough to add Ms. Holland's book to your "must read" list, I believe the author's superior craftsmanship will certainly convince you her work is worthy of the acclaim she is sure to receive once her book gains a wider readership. And, above all, the Memoir is a magnificent read!

Usually, I find it awkward and sometimes unnerving to read books written in a black, southern, vernacular. However, as in the case of Zora Neale Hurston, Endesha Ida Mae Holland writes with such a pure and authentic voice, I found myself falling effortlessly into her rhythm.

I'm a voracious reader and the authors I most enjoy are great storytellers. My current favorite is Barbara Kingsolver, and of course my all time favorite is Zora Neale Hurston. Endesha Ida Mae Holland "puts me in the mind of" both these writers.

She also reminds me of Frank McCourt (Angela's Ashes & 'Tis). Like McCourt, Ms. Holland transports you back to her childhood and growing up years with such seamless ease, you find yourself sharing her heartbeat through every single experience she lives to tell about. Almost immediately, I found myself caring deeply about her; I grew to love her mother, her child, her neighbors, her friends; and, I found no strangers among those who populate her world.

What an exquisite gift of storytelling she has! I certainly hope she plans to write more "from the Mississippi Delta," because her talent is as rich and fertile as her source.

Obviously, I've become a devoted fan of Ms. Holland and her work ~ a designation I'm hoping you and I will soon share.

Who knows, your reading experience with Ms. Holland may inspire you to join me in asking Oprah Winfrey to feature the author and her book on the Oprah Show, as well as making "From The Mississippi Delta," an Oprah Book Club selection.

I was moved to make this appeal to Ms. Winfrey because I believe we all benefit from an increased national and world exposure of brave and talented women like Ms.Holland. These women are profoundly inspirational and deserving of our applause and recognition.

This is an excellent book that captured my attention from start to finish each of the three times I read it. I cannot think of any people in America that would not benefit from reading this very touching and true story of the deep south. The history of the south after slavery is eloquently highlighted in this very moving story by Endesha and should be fireside reading for children of all ethnic backgrounds.

I greatly admire Endesha's strength to overcome the tragedies she experienced, her ability to forgive those responsible and her wisdom to share this achievement with the world. I congratulate Dr. Endesha Ida Mae Holland on her accomplishments as a strategic survivor, a courageous civil rights activist, a concerned citizen, a stellar scholar and an accomplished author. There have been many books written about the south after slavery, and I have read several of them. From The Mississippi Delta by Endesha Ida Mae Holland, Phd. is the one you must read.

This book is important, and maybe even vital, in spite of itself. Lomax is the real thing: He knows his material incredibly well, and even his most offhand paragraphs on anything at all related to African influences on American/southern culture are right on the mark. His field recordings were/are an incalculable contribution to American music. Some of them brought major artists -- Muddy Waters being the most obvious example -- from total obscurity squarely into the mainstream. He was a true scholar, and a kind of cultural hero. That said, this memoir/history was not exactly a joy to read. Lomax has a terrible weakness for lyrical language, but he just doesn't have the chops as a writer; his story is so good he should have been as plain in the telling as possible. His overheated romance with the black American male is often embarrassing. Maybe the best part of the book is a long passage when he simply gets out of the way and we hear directly from one of his subjects for many pages. It's not that Lomax had no right to do a book like this -- he had every right to. And even at its most purple, what he has to say is crucial if you want to understand American music. I just wish he could have spared us some of his attempts at heightened language and overwrought description. Complaining about white rock musicians, he writes, "To my jaundiced Southern ears .. many rock guitarists are more concerned with showing how many notes they can get off and how many chords they know tan what the song has to say or how the guitar can speak for them." I would say something very similar about the way Lomax wrote this book -- he should have been less concerned about how many phrases he could get off and how many words he knew, and just let his wonderful story tell itself plainly.

Alan Lomax has done more than any living man to unearth the powerful African music heritage that lives in many different genres of American music. This book is only part of the wealth that he has dug up and offered to us, so that we may better know ourselves. Check out the 4CD set of his recordings "Sounds of the South" for a soundtrack to this book. But no book, no acetate, no film, can adequately depict the pain and suffering that Africans were subjected to in the US. Lomax's work, though, brings us closer, by bringing us the voices of the prisoners, the fieldworkers, the muleskinners, and the roustabouts who lived in a world we can scarce imagine today. Life was cheap then. People were brutal to one another. By Lomax's account, sex and violence seem to be more unrestrained in the first half of the 19th century than in the second. Today, Arnold kills people with laser guns to make a couple bucks for Hollywood. Then, Boss White would kill a man with a shotgun to the skull, just for complaining. After having read the book, I caught myself being hopeful for humanity. Maybe we are getting better

So powerful is the writing of Alan Lomax that one cannot help but be moved by the trials of the African American, which gave birth to the Blues. I read through this account with equal parts shame, empathy and admiration for the people who found hope through their music. I've been a listener and aspiring musician of the Blues for many years. With reading Mr. Lomax's account I feel my education has been grounded in the truth of what makes the Blues so uplifting and expressive. When all hope and opportunity were removed from the negroes of the Jim Crow South, they turned to their instruments, and driven by subconscious inspiration of their ancestoral past, were able to find something to sing and dance about. Through this singing and body-embracing rhythm-making the Blues becomes a means of making peace within their lives, within our lives. This much I've learned from reading the narration of Mr. Lomax. His work will always be with me.

I had booght and read all of Wilbur Smith's book and I should say this is just one of those pieces who really ROCKS!

This book is proof that Wilbur Smith is a gifted writer. Like several of his other books, he came up with a whole new set of characters and wrote about issues and geopolitics outside of his native Africa. I just read this book in the year 2000. This book was written a long time ago but still feels like it could happen today. As much as things change, they stay the same. I hope Wilbur gives us another gem soon. I couldn't put this one down.

I read this book ten years ago and still can't forget the character magda altman! that is the kind of effect this book had on me. Its one of the best thrillers I have ever read and was the first one for me by Wilbur Smith.

Its the ultimate page turner and I read it again few days back, same copy I've had for a decade :)

Don't miss out on this one. Its unfortunate though that the other novels by Wilbur I read weren't as thrilling, maybe coz they are more about adventure whcih is not my piece of cake.